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THE OZASIA-HONG KONG CONNECTION Chris Reid speaks with OzAsia participating choreographer Chloe Wong and Hong Kong Arts Development Council Chairman Dr Wilfred Wong Ying Wai about art and the autonomous territory’s cultural identity. |
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HOW DO FILM EDITORS THINK? Made at Macquarie University, Dr Karen Pearlman's new film about Elizaveta Svilova, editor of Man with a Movie Camera, is both a stand-alone art work and original research into editing and distributed cognition. |
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GIVING VOICE TO REFUGEES Composed in response to the inadequate reception for The Forgotten Children report, Speechless, a new opera by Monash University Professor of Music Cat Hope, brings together soloists, unusual instrumentation and a community choir. |
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PUT TO THE TEST With superb musicianship, striking design and challenges for its actor-singers, Sydney Chamber Opera's provocative take on Benjamin Britten's The Rape of Lucretia tests the work's moral and gender framework. |
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MAKING THE MOST OF END TIME In The Danger Ensemble's very timely The Hamlet Apocalypse, actors oscillate between playing themselves and Shakespeare's characters with verve as the world goes to pieces, writes Victoria Carless. |
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POWER SHIFTS In Tectonic, Dancenorth stages a work about power and climate change juxtaposed with a performance by the Urab Dancers from the slowly sinking Torres Strait island of Poruma. |
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