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OZASIA 2018 PERFORMANCE: MORE THAN CULTURAL DIPLOMACY Deeply engaged by five works in a bracing festival, Ben Brooker writes of their evocations of “displacement, the unsettling of body and being by the effects of colonisation, technology and environmental disruption.” |
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MY REALTIME YEARS: ART, WRITING & TERROR At a time when “politics takes no notice” of art, Richard Murphet looks back with passion to the revelatory works he wrote about for RealTime, with a sense of community and a freedom to engage beyond the parameters of ‘reviewing.’ |
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NOTES FROM THE SOUND UNDERGROUND Reflecting on her emergence as a writer on (and practitioner of) sound art over two decades, Gail Priest maps a wonderful constellation of artists, events, reviews, video interviews and phases in the development of a diverse and now pervasive artform. |
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BLACK DANCE, BLAKDANCE, COMPANIES & CULTURE
In a 2009 interview Bangarra’s Stephen Page worried about the absence of other Indigenous dance companies. In 2018, Jeremy Eccles speaks with BlakDance’s Merindah Donnelly, surveying key players, emerging companies and the politics of funding. |
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CLIMATE CENTURY: COUNTERING APOCALYPSE In acts of radical imagining, performances in Climate Century, produced by Vitalstatistix, place their audiences inside fantasias that evoke imminent doom and surreal alternatives, writes Ben Brooker. |
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