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KUNSTENFESTIVALDESARTS: MIRROR TRAP Mish Grigor looks for new grand narratives and ways of telling promised by one of Europe's most adventurous performing arts festivals and finds herself in an audience locked in a room for 24 hours. |
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POLYPHONIC SOCIAL: SACRED & OTHER RESONANCES In the Good Shepherd Chapel in Melbourne's Abbotsford Convent, Elyssia Bugg experiences an embracing Liquid Architecture event that variously evokes the numinous and the ecstatic. |
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CRITICAL VIDEO: JULIAN DAY, POLES Clashes between "the meticulous precision of the concept and the cheerful cacophony of the execution, the formal austerity of the cinematic framing and the gleefully deadpan execution of the performers," delight Oliver Downes. |
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ANTHROPO[S]CENIC ANTARCTICA Philip Samartzis' bracing book and CD, Antarctic: An Absent Presence, takes Gail Priest on an immersive visual and aural journey into an icy wilderness inflected with human intrusion. |
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REALTIME TRAVELLER: JANA PERKOVIC, ZAGREB Jana Perkovic offers a fine account of an accommodating middle European city with its excellent theatre scene, festivals, Museum of Broken Relationships, great cafes and fine parks, one virtually a forest. |
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PHONE RE-THINK: LISA WILSON, PAUL CHARLIER The co-directors intrigue Keith Gallasch with their vision for a new dance work, Wireless, that addresses the creative potentials and dire threats embodied in the not so ordinary smart phone. |
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