Aperture
Press Contact:
Giada De Agostinis
gdeagostinis@aperture.org
publicity@aperture.org

Announcing a Series of Virtual Events for “Native Americaˮ

(September 17, 2020—New York, NY) To accompany the fall issue of Aperture magazine, “Native America,” guest edited by the artist Wendy Red Star, Aperture is pleased to present a month of virtual programming with photographers, historians, and writers who will discuss the historical relationships between and new perspectives on photography and Native representation.

Thursday, September 17, 7:00 pm
Inside the “Native America” Issue with Wendy Red Star and Natalie Diaz

Join us for the first discussion in this series as we take a look inside the issue with guest editor Wendy Red Star and poet Natalie Diaz. “Native America” considers the wide-ranging work of photographers and lens-based artists who pose challenging questions about land rights, identity and heritage, and histories of colonialism. Red Star and Diaz will delve into the various topics, artists, and takeaways in the issue and discuss their own relationships to its contents.

REGISTER HERE

Image: Wendy Red Star, Apsáalooke Roses, 2016. Courtesy the artist

Thursday, September 24, 7:00 pm
On the Art of Kimowan Metchewais

Join us for a conversation about the work of Cree artist Kimowan Metchewais, whose multidisciplinary approach rearticulates colonial memory and explores the ground on which contemporary Native art and communities might stand. This panel brings together writer and art historian Christopher Green, filmmaker Christina Wegs, and artist Will Wilson, all of who will discuss Metchewais’s life and continuing influence on the art world.

REGISTER HERE

Image: Kimowan Metchewais, Raincloud, 2010. Courtesy the Kimowan Metchewais [McLain] Collection, National Museum of the American Indian, Smithsonian Institution

Thursday, October 1, 7:00 pm

Martine Gutierrez and Nadiah Rivera Fellah on Indigenous Woman

Aperture Foundation, in collaboration with Parsons School of Design at The New School, is pleased to present a conversation between photographer Martine Gutierrez and curator Nadiah Rivera Fellah. In Gutierrez’s 2018 project Indigenous Woman, she created a 124-page art publication, playing the roles of photographer, stylist, creative director, editor in chief, and featured model. Throughout its pages, Gutierrez transforms herself into a revolving roster of identities. In this discussion, Gutierrez and Fellah will take an in-depth look at the project and navigating contemporary Indigeneity.

REGISTER HERE

Image: Martine Gutierrez, Queer Rage, Dear Diary, No Signal During VH1’s Fiercest Divas, 2018; from the series Indigenous Woman. Courtesy the artist and RYAN LEE Gallery, New York

Thursday, October 8, 7:00 pm
History Is Present: A Conversation with Alan Michelson and Chrissie Iles

For more than thirty years, New York–based artist Alan Michelson has produced evocative, influential works that excavate colonial histories of invasion and eviction. A Mohawk member of the Six Nations of the Grand River, Michelson uses photography, painting, video, and installation to create dynamic spaces of visual and auditory immersion. In this discussion, Michelson sits down with Chrissie Iles—who cocurated his 2019 exhibition at the Whitney Museum of American Art—to discuss his career and the power of contemporary Indigenous art.

REGISTER HERE

Image: Alan Michelson, Hanödaga:yas (Town Destroyer), 2018. Courtesy the artist

Saturday, October 3, 2:00 pm
Aperture Conversations: Wendy Red Star at Photoville

Join Photoville for an artist talk with Wendy Red Star as she discusses her 2017 project Um-basax-bilua (Where They Make the Noise) 1904–2016, a celebration of cultural perseverance, colonial resistance, and ingenuity. A visual record of found and personal photographs and cultural memorabilia, Red Star’s annotated timeline summarizes the century-long history of the Crow Fair, and examines the cultural shift from colonial forced assimilation to cultural reclamation.

REGISTER HERE

Image: Um-basax-bilua (Where They Make the Noise) 1904–2016 (detail), 2017. Courtesy the artist

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Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online. Created in 1952 by photographers and writers as “common ground for the advancement of photography,” Aperture today is a multiplatform publisher and center for the photo community. From its base in New York, Aperture Foundation produces, publishes, and presents a variety of photography projects and programs—locally, across the United States, and around the world.

Lead support of the “Native America” issue of Aperture magazine is provided, in part, by the National Endowment for the Arts and the Henry Luce Foundation. Further generous support is provided by the Philip and Edith Leonian Foundation and the New York City Department of Cultural Affairs in partnership with the City Council. Significant support of Aperture magazine is provided by The Kanakia Foundation. Additional lead support is provided by Jon Stryker and Slobodan Randjelovic.

Aperture’s programs are made possible, in part, by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.  
 
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